These songs of outlaws, demons, and gamblers (lots of gambling in Grateful Dead songs!) have a way of getting into your blood singing along with them just feels good.īecause the individual members of the Grateful Dead hail from vastly different musical backgrounds, there is no one clear, definable influence on the band’s sound, nor its songs rather, the tunes reflect an omnivorous collective muse. The chorus of, say, “Ramble On Rose” is to a Deadhead what “The Rocky Road To Dublin” is to a denizen of an Irish pub, or what “99 Bottles Of Beer On The Wall” is to a car-confined child: obnoxious to the unconverted, sure, but sacred to the singer. Hear “Bertha,” “Sugaree,” or “Touch Of Grey” once and they’ll be popping into your head the rest of your life. It is telling that Hunter and Weir stopped collaborating around 1971 following a backstage feud over Weir’s ad-libbing on “Sugar Magnolia.” It is the dynamic of two very distinct songwriting teams that gives Grateful Dead songs their unique identity, even within the band’s catalog: Hunter’s lyrics are often preoccupied with phenomena, abstraction, and mythology, making him the perfect foil for the eternally curious and broad-minded Garcia Barlow’s themes are more linear and elemental, vaguely cynical but not unromantic, characteristics that would seem to match the profile of his songwriting partner. There’s overlap, of course, and almost everyone who’s ever played in the Grateful Dead has at least a few writing credits (though, tellingly, very few appear on this list), but generally speaking the Dead’s oeuvre is defined by Hunter-Garcia compositions, Weir-Barlow compositions, and the various cover songs that actually comprise the majority of Grateful Dead music. Hunter mostly wrote with Garcia Barlow mostly wrote with Weir. Because of this unusual division of labor, it is crucial to include Hunter and Barlow in any discussion of the Dead’s greatest songs. And so, starting around 1968, the band would stick to the business of music, and let Barlow and Hunter worry about the words. Conversely, the members of the Grateful Dead loved to jam, but were largely limited as wordsmiths. Robert Hunter and John Barlow shared the Dead’s worldview and musical sensibilities but showed little to no interest in joining them onstage. The Dead’s canniest decision of all, however, was not economic, but aesthetic: the decision to outsource lyric writing duties to people outside the band. As with any major corporation (which the Dead became, officially, in 1976), mistakes were made, but on the whole, this was a decidedly savvy group of people. But forget everything you know about the band’s parking-lot flea-market subculture - the dancing bears, the tie-dye, and that one asshole at your high school with the blond dreadlocks - and you will be rewarded with some of most poetic and powerful tunes in the canon of American song.ĭespite all appearances to the contrary, the Dead organization was shrewd about many things there’s even a book titled Everything I Know About Business I Learned From The Grateful Dead. Even among Deadheads, the songs themselves are often taken for granted as mere launching pads for fearless improvisational jams. When discussions of the Dead’s music are not dominated by references to mind-erasing jams, they’re rife with esoteric jargon and secret code words (“bass bombs,” “Betty boards,” “the Phil zone,” and, hey, what’s with all the “greater than” signs?) it can all be a bit difficult to penetrate. Rather, I’d like to introduce Dead-haters and Dead-neutrals alike to a most overlooked facet of the group’s music, one that separates them from every band of blunted jammers from Phish to Wooden Shjips: the songs.įanatical Deadheads, most of whom have heard almost every Dead song literally hundreds of times, frequently speak in terms of specific live versions of Grateful Dead songs rather than the songs themselves. It is not my intention to refute the negative connotations associated with the band - airheaded solipsism, boomer excesses, self-indulgent musical masturbation - nor do I intend this piece to double as acid test recruitment propaganda for disillusioned indie rockers (though, it should be said, some of them might benefit from a dosing). To certain elitists, the name “Grateful Dead” represents an impasse like the phrase “slap bass,” it is a combination of words whose very invocation can instantly elicit the gas face.
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Copy the save file and back it up someone else on your sd drive.ġ.Delete old Shovel Knight Title and Ticket (Applies to dlc if you have installed any.) If you have any previous version of Shovel Knight back up the save files using FBI>Titles>ShovelKnight>Browse Save Data. I decided to release the fix and history of this for all the poor souls who are playing a older version of shovel knight. I tested it on my own n3ds and sure enough, it works! So I de compiled the cia, swapped the icon and banner with a 4.0 version and rebuilt it. This doesn't change the game but really triggers my ocd on the home screen. However according to my understanding, it is a cartridge version, meaning it will have the normal shovel knight banner/icon/name. The version was found at the end of a older reddit topic and it is compatible with the E-Shop update. Some Shovel Knight cias on websites state that they have a update, but after a quick installation when you go into the game it will not display 4.1Ī quick search on 'shovel knight update 3ds cia' will not yield the 4.1 update, and worse, it will link multiple reddit threads stating that a cia compatible with the 4.1 on the e-shop does not exist.Īfter months of having to decide between a buggy 4.0 shovel knight or the 3.7 with no king of cards, I finally found the version that is compatible with the e shop update. These 4.0 versions do not have a lot of bug fixes and quality of life improvements that are included in 4.1. I have found 2 that have version 4.0 (King of Cards) but pretty much every version out there is not compatible with the E-Shop 4.1 update. All of the versions on the common cia websites do not have update 4.1. Shovel Knight has been on 4.1 for the 3ds for awhile. This is a post I decided to make to make the working version of Shovel Knight for the 3ds more findable. Update: we got permission from the mods to add direct links. After that is complete, your purchase transaction information is deleted.Īll direct payment gateways adhere to the standards set by PCI-DSS as managed by the PCI Security Standards Council, which is a joint effort of brands like Visa, Mastercard, American Express and Discover. Your purchase transaction data is stored only as long as is necessary to complete your purchase transaction. It is encrypted through the Payment Card Industry Data Security Standard (PCI-DSS). If you choose a direct payment gateway to complete your purchase, then Shopify stores your credit card data. They store your data on a secure server behind a firewall. Your data is stored through Shopify’s data storage, databases and the general Shopify application. They provide us with the online e-commerce platform that allows us to sell our products and services to you. 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If you choose LOCAL and are local you will have 14 days to come get your item before it is restocked no refunds. If you if you use LOCAL code and are not local we will invoice you for the shipping of your item! If you do not pay shipping invoice with in 14 days merchandise will be restocked NO REFUNDS WILL BE GIVEN ***We ship weekly from Monday-Friday if more than 1 item is ordered it my arrive in different packages depending on what warehouse it is shipped from. If you’re unsure, uncheck the Preview box to see what the image looks like with the filter applied, then check it again to compare with the current settings. Use the settings that will give you a look that you like. I used a Radius of 10, a Strength of 80, and a Threshold of 0 for the Unsharp Mask. Now, with the new copy layer selected, go to Filter - Sharpen - Unsharp Mask. This will give us a new top layer that is a merged copy of our progress so far. Right-click on the top layer and select Merge visible to new layer. Now we already have some blurring, some color fringing (where the color bleeds slightly to another area) and some pixelation. I decided to set my Scale to 0.5 so that my image would reduce my 50%. The exact setting you want to use will, again, depend on your image. Now we’re going to drop the resolution of our image. Now set this blurred layer to the Color blending mode.Ĭlick on the second copy of your illustration layer (which should be the middle layer in the layer stack) and run the Gaussian Blur filter again, though with less blur this time. The amount you use will depend on your illustration, I used a value of 15. Old anime VHS were low resolution, so we need to add some blur and such to our image so that it doesn’t look like it’s 4K. With the top layer of the stack selected, go to Filter - Blur - Gaussian Blur. Next make TWO copies of your illustration layer. You just want to make your light colors a little darker and your dark colors a little lighter so that there’s no pure white or black. I ended up bringing my Brightness to 15 and the Contrast to -10. The amount that you use may vary depending on your image. I remember being told in college in our video courses that this was because using a pure black or pure white would actually make the speakers on TVs buzz, but I don’t know if that’s accurate or not.Ĭlick on Edit - Tonal Correction - Brightness/Contrast. The first thing we need to do is adjust the Brightness and Contrast, because old video formats never have pure black or pure white in the images. I put my original layers in a folder that I then “closed” to save space in my Layer palette. Now you should have one layer that has your flat image on it. (You can also do this by right-clicking on the top layer in the Layer palette) Do this by clicking on your top layer, then click on Layer - Merge visible to new layer. To start, if your image is composed of lots of layers you’ll want to create a new flat layer to work from. However I did do this process again on another image that is cel shaded, and below are the results! For this article I used my most recent piece of art, which is soft shaded so it ended up looking more like an image from an old magazine. You can also study the styles of the 80’s and 90’s anime if you really want to make this look like it’s from that time. Ideally, you will use an image with cel shading. In this article we will cover the following topics: This process has a lot of steps but is fairly easy once you get the hang of it. Even images in the few anime magazines from the time (does anyone else remember Animerica or was that a fever dream?) were low resolution and had the same sort of color shift look to them, so you could probably use this method to imitate an old magazine. I started watching anime back in the 90’s and there is just something nostalgic and comforting about the look of VHS screenshots from those early anime. I write weekly posts on and on CSP Tips, so be sure to come back every week to learn more Clip Studio Tips and Tricks from me! Many of you probably know my name from those books, in fact. I was a beta-tester on the Manga Studio 5 program and for Clip Studio Paint, and I have written three books and several video courses about the program. Hello! My name is Liz Staley and I’m a long-time user of Clip Studio Paint (I started using the program back when it was known as Manga Studio 4!). The Field Blur will select similar spots in the same area you clicked and blur that area as well. Then, click on the spots in your image that you wish to blur. Go to the top right hand corner of the screen, and reduce the Blur slider to 0 px. Next, click on the spot in your photo that you wish to stay in focus. Let’s look at two of the most effective ways to do it. There are a wide range of ways to create bokeh in Photoshop. For the best results and most extreme results, use a lens with a focal length of 50mm or greater with an aperture of f/2.8 or more.Ĭheck out 5 Tips for Capturing Bokeh for more advice on this subject. This is because you can afford to back up from your subject when using a lens with a greater focal length. For this reason, lenses with a longer focal length often work best for creating bokeh. Generally speaking, the further you are from your subject, the more extreme it will be. Lastly, the focal length of the lens and the distance between you and the subject make a difference in the amount of bokeh you can create. Although, if you want to create bokeh, you’ll need to open up the aperture as much as possible. These lenses are often times more expensive. You’ll want to choose a lens that has the option to open up as wide as f/2.8, or even wider. This is where the choice of lens comes into play.Ĭhoosing the right lens to create bokeh makes a huge difference in the amount you can create. For example, f/22 would have little to no bokeh, while f/1.8 would have extreme bokeh. To create it, you’ll want to open up that aperture as much as possible for the most extreme effect. The aperture is the setting that controls the bokeh in your scene. Each and every lens handles bokeh differently, so finding the lens that provides the exact results you want can take some time.įirst, your camera settings will dictate how extreme the blur is in your image. How to Add Bokeh While ShootingĬreating bokeh boils down to three things: your camera settings, lens, and the distance you are away from the subject. Before we jump into how to create bokeh in Photoshop, let’s talk about a few ways to create it in the field. Creating bokeh can be done in the field or on the computer, and there are a few key ways to go about it. Not only is it pleasing to the eye, but it helps create depth and add dimension. It is generally aesthetically pleasing and is an effect often desired by portrait photographers. This can help bring attention to the subject of the photograph when done well. In photography, bokeh is considered the blurry background of an image. The term comes from the Japanese word “boke.” This refers to blur or haze. However, if it isn’t, it is still possible to add it in Photoshop. This blur is called bokeh, and it is a very sought-after effect that photographers love to use. When only certain parts of your image are blurry, it can help bring interest and attention to the parts that are in focus. Contrary to what one might think, blurry is not always bad when it comes to photography. One last power supply consideration: if you have an excessively long wire run (for example, over 300 feet) you might consider sourcing your own wire and stepping up to 16GA UL-listed outdoor rated 2 conductor wire. For this reason, it’s highly recommended to use the same brand transformer as the light fixtures and to stick to one brand of fixtures. Also, it’s absolutely critical that you never mix AC and DC fixtures on the same circuit. AC vs DC) your lighting fixtures take, as the wrong voltage type can cause major component failure and other performance problems (and may even void your warranty). It’s important to know which type of voltage (i.e. The other option is to use transformers that change the voltage type from AC (Alternating Current, like your home uses) to DC (Direct Current, like your cell phone charger) while reducing the voltage from 120V to 12V. Some, often less expensive transformers, are simple “step-down” units that simply take 120VAC and step it down to 12VAC. One important note: Not all 12V transformers are created equal. Most installations call for 12V transformers, so you only have to concern yourself with ensuring the transformer you choose can withstand the total wattage of all connected lights (most manufacturers have more than one sized transformer). Low voltage deck lighting systems will require a deck lighting transformer, which is used to convert the ordinary household “line voltage” (120V) produced by an electrical socket. Overloaded transformers can fail prematurely and potentially cause fixture performance problems. Trex also has an interactive online Lighting Transformer Calculator to help make sure you don’t overload the transformer. Installing Trex deck lighting can make this easy because the LightHub connection system allows for the addition of a variety of accessories, including splitters, adapters, and customizable lengths of extension cabling. Once you’ve done that, you’re ready to start making approximate measurements for the length of wiring necessary to run your lights, and how many transformers you might need for your project. Start by identifying the locations of AC power sockets for plugging in the transformer. Planning your deck lighting installation prior to installing any low-voltage deck lighting is essential to making sure you achieve both of those goals. Each light will need to connect with a 12V transformer. Develop a Lighting Planįirst, you’ll want to position your lights so that they’ll illuminate the appropriate areas. And unless you need to run additional line-voltage circuits to feed a transformer, you probably won’t need an electrician or contractor for even a fairly elaborate deck lighting installation. Installing low-voltage deck lighting is inherently safer than installing household line voltage fixtures inside your home. Learning how to install low-voltage deck lighting is fairly simple, provided only that you use a low-voltage lighting system and carefully read all manufacturer instructions. Whether you’re looking to add ambiance or functionality to your outdoor space, the right deck lighting is one of the most impactful enhancements you can make to your deck. ‘Posturing’ refers to after surgery care that involves a patient keeping their head in a specific position to aid the success of their operation. What is posturing and why is it necessary? Following the surgery, the eye is either filled with an air or gas bubble, and this is dependent upon the condition being treated. This can include conditions such as epiretinal membrane (macular pucker), macular hole and retinal detachment. vitreomacular traction.Īt other times, a vitrectomy is done as part of an operation to access areas of the retina that require treatment. In some circumstances, the vitreous is removed in order to treat the condition itself, such as when there are abnormal attachments of the vitreous to the retina e.g. Between the lens and the retina, the back part of the eye is filled vitreous humour, which is transparent and gel like in consistency.Ī vitrectomy procedure involves removing the vitreous through surgery, and this is done for a number of reasons. The eye works similarly to a camera, where light passes through a lens at the front of the eye, which then focusses onto the ‘film’ (or retina) at the back. Good organisation and planning, as well as strategies to address any potential issues, is essential prior to having vitrectomy surgery with posturing. ‘Posturing’ is sometimes required following vitrectomy surgery, and can cause significant disruption to both a patient’s daily activities, as well as challenges to comfort. Whilst this experience is true for most eye surgeries, there are some eye conditions that require specific post-operative care to help ensure a successful outcome. This irritation gradually improves during the post-operative period and, importantly, with no expectation of worsening pain or discomfort at any stage following the surgery. Local anaesthetic ensures that there is no pain experienced through the course of the operation, whilst a slight eye ache and mild eye surface irritation (similar to the sensation of having something in your eye) is common afterwards. Modern eye surgery is in most cases a painless procedure, with discomfort generally minimised both during and after the operation. Air travel and strenuous work are generally not advised during recovery."analyticsString": "ajax_search-" You may need to wear an eye shield at night and take medication to relieve pain, assist recovery and reduce the risk of infection. Your body usually takes about 10 days to reabsorb the gas.Īvoid pressing or getting water into the operated areas as this can damage your eye. If your surgery involves a bubble of gas, you will be instructed to position your head to keep the bubble in place to support the retina as it heals. You may have flashes and floaters in your vision for some time, but blurred vision usually resolves in a few weeks. You can expect some soreness for four to eight weeks, and if tiny dissolving stitches have been used, the surface of the eye may have a gritty feeling. Your repaired eye is covered with a pad and protective shield and may appear red and swollen during recovery. You should arrange someone to drive you home and stay with you for at least one day. Some patients go home the same day, but others may have to stay in the hospital overnight or longer. Procedures to reattach the retina are performed in a hospital or day surgery centre. We have 18 world renowned ophthalmologists.Epiretinal Membrane (ERM) and Vitrectomy. We treat more conditions than any other clinic. See the product manual for more help on how to change the Verbosity Level. Note: You can make SuperNova and ScreenReader automatically announce more or less information about menus, menu items, buttons, check boxes, lists and radio buttons by changing the Verbosity Level. The following table lists some SuperNova and ScreenReader hot keys you might find useful when navigating menus and dialog boxes. Popular SuperNova and ScreenReader Speak Keys for menus and dialog boxes. Move to the previous tab in a multi-tab dialog box Open the next tab in a multi-tab dialog box Select the active button (the button with the outline) Popular dialog box keyboard commands Dialog Box CommandsĬlick a button, toggle a check box or select an option (RADIO BUTTON) Go to the Notification Area (see below for further instructions) Minimise open programs and place focus on the desktop Open Windows Explorer (showing list of drives, folders, files etc.) Open the context menu (a small pop up menu giving options relevant to the current situation) Go to active notifications in reverse order Snap window to right of screen (combine with snap to top/bottom to place window in quadrant) Snap window to left of screen (combine with snap to top/bottom to place window in quadrant) Snap window to bottom of screen (repeat to minimise window) Snap window to top of screen (repeat to maximise window) Switch to application (action unchanged but now shows Task View when switching) Popular Windows and Windows Explorer commands Windows commands You will also find many of the keyboard commands stated can also be used in applications, in particular, the keyboard commands for menus and dialog boxes. In the tables below you will discover many of the popular and frequently used keyboard commands used in Windows and Windows Explorer. Phoenix’s audits of its dispute investigation procedures were insufficient for identifying practices that compromised the accuracy or integrity of information furnished to CRAs. Phoenix violated the FCRA and Regulation V by failing to establish and implement reasonable written procedures regarding the accuracy and integrity of information it furnishes to CRAs.It did not have a sufficient number of employees and contractors to effectively handle the volume of disputes it received, with the result that its employees and contractors often spent “mere seconds on average” to resolve the hundreds of disputes that Phoenix received each day. Phoenix had inadequate dispute investigation procedures that included Phoenix’s reliance when investigating disputes on data points received from its clients at account placement that Phoenix had not verified as accurate and that Phoenix failed to review other potentially relevant information in its records. Phoenix violated the FCRA by failing to conduct reasonable investigations of indirect disputes from CRAs and direct disputes from consumers.The consent order includes the following CFPB findings and conclusions: It is noteworthy that the consent order also includes a provision pursuant to which Phoenix agrees to be subject to the CFPB’s supervisory authority for the consent order’s five-year duration. In addition to requiring the payment of consumer redress by Phoenix, the consent order requires the company to pay a $1.675 million civil money penalty to the CFPB. The CFPB announced at the end of last week that it had entered into a consent order with Phoenix Financial Services, LLC (Phoenix), a third-party debt collector that collects primarily past-due medical debts and furnishes information to consumer reporting agencies (CRAs), to settle alleged violations by Phoenix of the Fair Credit Reporting Act and its implementing Regulation V, the Fair Debt Collection Practices Act, and the Consumer Financial Protection Act. Head/tail breaks uses the mean or average to dichotomize a dataset into small and large values, rather than to characterize classes by average values, which is unlike k-means clustering or natural breaks. In this connection, the notion should be interpreted as far more unpopular (or less-connected) things than popular (or well-connected) ones, or far more meaningless things than meaningful ones. Note that the notion of far more small things than large one is not only referred to geometric property, but also to topological and semantic properties. The head/tail breaks is motivated by inability of conventional classification methods such as equal intervals, quantiles, geometric progressions, standard deviation, and natural breaks - commonly known as Jenks natural breaks optimization or k-means clustering to reveal the underlying scaling or living structure with the inherent hierarchy (or heterogeneity) characterized by the recurring notion of far more small things than large ones. Head/tail breaks can be applied not only to vector data such as points, lines and polygons, but also to raster data like digital elevation model (DEM). Head/tail breaks is not just for classification, but also for visualization of big data by keeping the head, since the head is self-similar to the whole. The classification is done through dividing things into large (or called the head) and small (or called the tail) things around the arithmetic mean or average, and then recursively going on for the division process for the large things or the head until the notion of far more small things than large ones is no longer valid, or with more or less similar things left only. The heavy-tailed distribution can be simply referred to the scaling pattern of far more small things than large ones, or alternatively numerous smallest, a very few largest, and some in between the smallest and largest. Head/tail breaks is a clustering algorithm for data with a heavy-tailed distribution such as power laws and lognormal distributions. The left pattern is produced by head/tail breaks, while the right one by natural breaks, also known as Jenks natural breaks optimization. It can be used for processing the remaining selected cells, to create a mask, or to eliminate certain cells for future consideration within a model.Algorithm 1024 cities that follow exactly Zipf's law, which implies that the first largest city is size 1, the second largest city is size 1/2, the third largest city is size 1/3. Similarly, Set Null is often used to change all values that meet a specified condition to NoData. In particular, the logical tools in the Math toolbox can be used, with the Test tool being particularly useful. A cell containing NoData as input does not equate to false, and NoData will be assigned as the output for the location.Ī number of Spatial Analyst tools can be used to identify which cell locations will be evaluated to true and which to false. Cells evaluating to true will receive NoData as output. If only an input raster is used, all nonzero values on the input raster are considered true and all zero values false. There are two ways in geoprocessing to identify whether a cell location evaluates to true or false: by an input conditional raster or by an input conditional raster on which an optional expression is applied. The tool returns NoData for an output cell if the evaluation on an input conditional raster is true otherwise, it returns the value identified by the false input, which can be a raster or a constant value. The Set Null tool sets identified cell locations to NoData based on a specified criterion. |
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